Review of She, The Ultimate Weapon
"Saishuu Heiki Kanojo: The Last Love Song on This Little Planet", better known as just "Saikano", is a show that emboddies Gonzo's tendency to output anime that divides opinions. I shamelessly admit that I really enjoyed a lot of their shows... which is why I was drawn to "Saikano", a show regarded by many as an extremely tragic drama (note that this was before "Clannad" came around and made me forever wary of these type of shows), and by most critics as utter tripe. And so I went in with high expectations... and left with a glum reminder of why I have this contradictory love/hate regardfor Gonzo - I have to say that those critics have got this one right.
The first point where I suspected that "Saikano" isn't going to live up to my expectations is at the end of the first episode, when a seemingly straight forward love story takes a ridiculous (and ultimately not fully explained) twist, and the overly dramatic title - the translated english title that I didn't know about - flashed up on screen: "She, the Ultimate Weapon".
I damn near fell off my chair laughing at the randomness of it all.
The premises "Saikano" (or "She, the Ultimate Weapon" *snigger*) is, at first glance, ludicrous. And having picked this somewhat exotic, apocalyptic backdrop for settings of the story, I personally feel they should have fleshed out the background in order to prevent the whole thing from becoming unseemingly absurd. But Gonzo, not being renowned for the completeness of their world building, presented just a few bits of information, leaving the background of the story in a typically confusing mess.
Even looking beyond that, the part that Saikano does show you is far from great. Instead of going for a convincing story, "Saikano" tries to force the issue, as characters and story are sacrificed mercilessly to fuel the melodrama, the angst and the sense of tragedy. You can almost see the places where the makers decided "ok, lets throw in another sad event here" - characters taking actions that comes straight out of the blue; fake feeling romances in which the participants seem more interested in hurting each other than anything else; plot twists that are random and senseless etc. In one scene, a bomb that exploded in the middle of three or four men conveniently killed all but one, leaving that remaining guy the opportunity to milk the scene further by grovelling around and crying over the deaths of the others.
Those kind of examples are everywhere you care to look in "Saikano". At times the show practically shouting at you to cry, and it managed to achieve exactly the opposite of what it intended: it made me unable to sympathise with the suffering characters. Worse, some of the events and developments were so bizarre they had me laughing out loud at inappropriate moments. The mood is not helped by the background music, which often went for power ballad-esq electric guitar tracks to thicken the atmsophere. For the most part, they didn't work.
Despite all this heavy handed incompetency, "Saikano" occasionally managed to strike gold - though more by law of averages than anything else. Some of the death scenes were quite moving, and, perhaps ironically, a short stint of happiness shared by the main characters in the latter half of the series manages to be more emotionally poignant than most of the sad moments put together. It's also one of the few times that the romance in the series isn't totally shambolic.
Gonzo, either in the spirit of innovation or cost cutting, appear to have made a decision to hire 5 year olds for the visual design of "Saikano". I mean, what's up with those constant blush lines?! They make all the characters look as though they've just fallen over and scaped their faces on the gravel! As if this isn't bad enough, these blush lines also have a degree of independence from the character's faces - on a side view, you can often see the lines sticking out of them, like a mostache. Gonzo's reputation with CG is well earned though, as even in this crappy looking show it blends in well with the non-CG parts.
If the quality of a tragic story is directly related to the amount of conscious effort put towards making it tragic, then "Saikano" would be one of the greatest shows ever made. But because it's not, it ends up inducing more tears of laughter than sadness with its forced, train wreck of a story. What IS sad though, is that I could have sworn I came across a couple of other anime with similar tones that were released soon after "Saikano" came out - as though it was being used as the blueprint for powerful drama. If that was really the case, then please excuse me while I go and face palm myself into unconsiousness.