Review of Love of Kill

It's been a long while since we've ever had a Josei adaptation, which are works targeted at adult women, the last of which was Chihayafuru which wrapped up Season 3 back in Fall 2019. And come this Winter, mangaka Fe's Koroshi no Ai a.k.a Love of Kill (the Japanese title connotation pun for killing each other) is silently a low-key combination of "Kaguya-sama: Love is War" in terms of romance and more like Mr and Mrs. Smith's version of "Spy X Family" in terms of mystery and suspense in the making (before the actual thing coming next season) as a stopgap measure. And for betteror worse, the anime adaptation kinda faltered when compared to the manga of the same name.

How Koroshi Ai was penned by mangaka Fe, it's actually quite a surprise to say the least. Originally published on Pixiv in October 2012 under a very long title (which is quite the mouthful), it gained a huge following so much as to spawn a sequel, then combine them both under Media Factory's Shoujo manga magazine Monthly Comic Gene for serialization, and that's how the series which depicted an assassin couple in love came about. And sure enough, it is the meeting between two assassins: a male and a female. Of course, who am I kidding.

The bounty hunter Chateau Dankworth and professional hitman Song Ryang-ha, both meeting coincidentally due to the professions of their missions, and being assassins they attempt to erase the other in a swift and fast action, to which the latter won. But instead of killing her, he decides to have fun by tagging along with her, even to the point of bounty hunter assassintion missions just to get her attention, to which she constantly rejects his romantic advances. To add things into the mix, Chateau's agency, Ritzland Support, soon finds themselves tasked with taking down a hitman who's wanted across many organizations for single-handledly taking down the Hong Kong Triads, and this hitman is no other than Song Ryang-ha. This, at the very beginning, is where the "show, don't tell" practice comes into play, as we follow both Chateau and Ryang-ha seemingly delving into lots of the practical assassination plots, to only then pick up with the constant flashbacks where both man and woman's past reveal a hideous truth that changes the game's playing field and lets the viewers see how everything from their past comes to haunt them in their present day. It's a very slow burn for sure, and it'll take lots of romantic teasing and deaths by revenge and summons just to reach to that point. The real meat is in the details, and I'm not gonna spoil it here as the central story is what makes Koroshi Ai such a good read from the manga, and the anime adaptation kept it very faithfully, albeit with the constant recaps just to fill in for padding the runtime, which is annoying to say the least.

The female lead, Chateau Dankworth, feels simpler in design. She is somewhat similar to Saber from Fate visually, and being very quiet, stoic, cute, and all the more for not understanding it or caring about romance. But since this is a Josei work, the focus is squarely on the male lead, Song Ryang-ha. If you've noticed a little about his character design, fox eyes are a rare, important feature, since they are essentially like a façade that hides their true colours. In case you didn't know, fox-like characters are impenetrably smiley most of the time, playful, socially adept, and seemingly eager to serve...until they show their eyes, and you know that shit has become real. And for a professional hitman-cum-romanticist, Song Ryang-ha fits the description to a T: he has a murderous identity, he is the nine-tailed fox in the room you have to ignore to appreciate this work, actually. Furthermore, Ryang-ha is like a small sadistic predator, serving tortured bodies as gifts to the female lead (Chateau) and resides in rundown buildings. He mellows pretty fast, always attracts the view, being smooth, sleek, functional, and ever so casually stylish. A low-key dangerous Ikemen because he is for the most part, very natural, and therefore classy as heck if he wants to be glamorous.

The other characters do serve as plot movers, though of one particular interest is with Ritzland Support's secretary Indian, or Jim is as called in the anime. His real identity is a mystery, though he is an immigrant from India. And if you're thinking why doesn't Jim have a mouth, it's not because you're seeing it wrong, as the manga is also drawn this way, it's intentional. Most of the cast derives from Ryang-ha's past such as the spiderweb cheek tattoo Hou to the mastermind that is Donald "Donny" Bachman, and this syndicate forms the basis of the tumultuous downward spiral of which both Chateau and Ryang-ha are involved in. It's a deadly race of revenge and time, and time will only tell how these 2 are connected to one another as the series progresses, which amps the mystery and suspense quite decently.

Some will have issues with the ways and styles of Platinum Vision's visuals as a studio, and this is a problem that I've encountered in a similar show: Devil's Line, back in Spring 2018, also produced by the same studio as one of their first works. The premise and setting of the 2 are almost like one another: dark, gritty and almost at times, condescending. While it gives the sense of mute-ness, it isn't as quite polished as I would've like, and the visuals are almost to the point of being a disappointing adaptation at best given its tense atmosphere. That said, if this was handled by a studio and staff team that understands the literacy of the work, then it could've been better, but this is what we got, and it's frankly kinda mediocre.

On the upside of things, the music really fits the tone and mood of the show, to a T, and yes, that includes the credit visuals. Seiyuu Toshiki Masuda may have a long and extensive discography of his works, but this is the first time that he's going solo, and his debut OP song "Midnight Dancer" is such a dance of a bop that really doesn't disappoint. The one that truly surprised me was Aika Kobayashi with her ED song "Makoto Period", because her past songs were all very cheerful, vibrant and uplifting, and this was a stark contrast with dark and dreary but melancholic tones that had the feels going for it. I might say that this song is really her best effort and foot forward so far, and at times, left me fearful in a claustrophobic manner for what's about to come, in a good way of course. One of the best EDs of the season IMO bar none, and props to sound director Hajime Takakuwa for laying down that atmosphere which has been an integral part of the moving plot.

Even as a straight guy, I can say that Koroshi Ai is an interesting Josei work that you just don't hear quite a lot. Sadly with the somewhat subpar anime adaptation, and with a work like this that demands your fullest attention (because if you blink, you'll miss it), some will love it, others will hate it. But hey, in a niche demographic like this, I have to judge everything the same, and this is a fine (as in decent) adaptation when all is said and done.

I think I will gear to the manga more to continue where the anime left off, and you might have a better experience that way as well.