Surreal: beyond real. This is a surreal show, not in the sense that it is dreamlike, but because it portrays a humanity not confined by the limits of our reality. The characters and dialogue are reminiscent of Dostoevsky’s writing, they are not life-like, but they feel much realer than anything. There is a large variety in the cast, but all of the characters are memorable. Some have a large influence in the story, and others whose arcs are more self-contained. But all of them contribute to the overall atmosphere created by the story, an atmosphere of loneliness. This is a show about communication and isolation,which is why cell phones take such a prominent symbolic role in the story. Following in the footsteps of Evangelion, the major conflicts in this show derive from the characters’ failure to express themselves and to understand each other. Characters attempt to find themselves, some purpose, or some truth in the world.

As a contemplative show, it is slowly paced with most of the time characters talking and plenty of atmospheric shots. The character interactions are a highlight, dialogue is engaging and fun which makes the slow pace enjoyable. At times the show gives a relaxed comfort, like the comfort found in being alone, and at others it transfers the warmth of companionship.

With the other driving force of conflict in the show being characters’ search for truth and understanding surrounding the central mystery, this is quite the epistemological anime as the show questions reality, truth, and our understanding of it. With Kazunori Itō of Production I.G fame (Patlabor, Ghost in the Shell) at the head of its writing, it is no surprise that the show breaks out the philosophy textbook and gives an intriguing mystery with lots to digest.

Another recognizable name, Tobe Sunaho the character designer for Humanity has Declined, has her only other anime work here. Her art style is distinct and gives a unique character to the show. The backgrounds and overall style are pretty. While the directing is competent and gives some interesting shots at times.

There seems to be somewhat of a consensus towards the second half of the show’s story that it is non-sequitur and of lower quality to the first. While there is a large shift in the literal textual events, the story is a clear continuation and follows similar ideas introduced in the first half. The second half is different but is just as great as it introduces new characters with new problems and advances the story. This is a surprisingly contentious show, certainly unknown compared to its contemplative relatives. I thought I would show it some love because it is one of the greatest shows I have seen in a long time.