Review of A Lull in the Sea
If I had to define "beautiful" with an anime, I would have to say Nagi no Asukara. The anime industry often has a tough time dealing with the idea of love. Very few have ever portrayed it correctly, and even then it's difficult to move us. They either fall flat because of pacing issues or the plot fails to convey a character's motivation causing climactic moments seem melodramatic or forced. Nagi no Asukara doesn't face these issues. In fact, the show has been one of the most well-paced anime I have ever seen in terms of character and plot development. I will get to that soonenough, but first I would like to start with the art.
You may know them best for animating Angel Beats!, Another, Tari Tari, and Hanasaku Iroha. Yes, it's P.A Works and they have done it again, creating wonderful background arts and stunning imagery as well as good, consistent animation. None of that going-to-shit in some episodes to save budget to make one or two episodes look fantastic. I don't know how many times I had to pause to take a screenshot to store in my wallpaper folder.
A lot of time is evidently dedicated to creating the world of Nagi no Asukara, and rightfully so. Story is heavily focused around their lives on Shioshishio and Oshiooshi. The sea's art alludes to the beauty of our own world but retains its mysteriousness. The ocean's depths isn't something people see every day and yet the studio is able to capture its beauty with little details like the schools of fish, coral reefs, and among other details that I won’t spoonfeed. The art manages to enrapture us by showing what the sea looks like, and it is only made more stunning by the inhabitants of Shioshishio going about their daily lives.
The sound to me was something to admire. The OPs and EDs were composed so well, and even the lyrics fit well into the story. The sound department did a stunning job, it’s not often you find a studio adhere to the laws of physics when creating sounds for the background. By this I mean the claps of thunder, thrashing of water, birds, fish, the bloops you hear from fish, etc.
I love good character development and I love good characters. It is incredible to see how much Hikari changes throughout the show. If you were to watch the first episode, and skip a few, you will notice that Hikari isn’t the same. Everything that happens in the plot serves to progress his development, and this was done extraordinarily well. While development is good, no development is also good when portrayed correctly. Take Chisaki for example, her development remains static, but it does something for the plot. It drives Kaname to act the way he does after the time skip and when juxtaposed to her peers accentuates the change that the group of friends go through. Furthermore, many, but not all of the supporting characters play their role into the story. Not everything is great though. I take issue with certain character interaction in the show. One blaring issue is the friendship between Kaname and Hikari. Their interactions with each other are so bland that it almost seems like they’re hardly childhood friends at all. It is known that tension exists between the two regarding Chisaki, but it isn’t conveyed enough in the dialogue between the two boys. Sure there was the time at the Shioshishio’s school, but having a climactic moment to portray that tension without proper character interactions prior to the incident is simply melodramatic. This just undermines the whole issue they have with each other and depreciates its attempt to move the audience.
The web of love may seem overwhelming at first, but when you stop, start at one character and ask yourself “who does this character like?” you will realize it is much simpler than you think.
The story is a simple one. This is a story about a young group of friends dealing with the concept of change, both themselves and the world around them. However, the plot is a lot more intricate. Four childhood friends from Shioshishio attend the surface school Mihama. Their coming of age becomes the catalyst that motivates the Sea God (Notice how Uroko-sama acts as the herald for some radical shift when he sniffs out Manaka and Miuna.) Along the way, tensions between the inhabitants of Oshiooshi and Shioshishio continue to grow and culminate into that dramatic shift. What I think the writers did best is how they well they incorporated the issue of change and love as a theme into the plot. I will explain; BEWARE, BEYOND THIS SENTENCE IS SPOILERS AND THEME ANALYSIS TERRITORY.
Theme of Love
One would imagine that after the main group deals with the idea of love after 26 episodes, at least one relationship would have formed. That isn’t the case, but that is the beauty of it. They are young and naïve, and they deal with love as young and naïve children do. Notice how by the end of the story the only ones to truly form a relationship is Akari and Itaru. This is because they are mature enough to understand love. (If you really want to use Egawa Takashi as a point to refute this theme go right ahead, but I disregarded him because he served very little importance to the main cast as opposed to Akari and Itaru).
Theme of Change
When Hikari wakes up after the time skip, he mentions to Chisaki that she hasn’t changed. He speaks in terms of maturity. Yet Chisaki feels she has changed. She speaks in terms of age. Two forms of changes are at play in this story, Age as a form of change, and Maturity as a form of change. Chisaki may have changed in regards to age, but she has not matured at all. This is evident when Chisaki pushed Tsumugu, it is very much like when Manaka pushed Hikari. Hikari on the other hand, while he hasn’t aged at all, he has matured very much. The character development for Hikari is so top notch such that no three episodes is he static. He is a very dynamic character that grows after facing a challenge.
In a nutshell, Nagi no Asukara is anime with a great plot-driven and character-driven premise. The art and sound is breathtaking and something to be admired. I am glad this nice little story was able to grace the face of the anime industry in such an ecchi-harem-romcom dominated age.