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The 6th Loop: I'm Finally Free of Auto Mode in this Otome Game · review

★
Top reader Dec 7, 2025 · 9 min read
↓ Not recommended
4 /10

"The 6th Loop: I'm Finally Free of Auto Mode in this Otome Game" is another entry in the (shockingly large) cluster of OI stories that fundamentally do not understand the story they are ACTUALLY telling. The description leaves the reader with some amount of expectations about how the story is set to go, and those expectations are absolutely not met. The story is at least well-written... until you stop and think about any part of it for longer than 10 seconds, at which point it all falls apart. Characters internal monologues will have a character come to a resolution about themselves thatis immediately ignored in the next scene without a hint of irony. And everyone in this setting, bar maybe three people, are all idiots.

It's rough.

The Concept: 7.5/10
"6th Loop" is a hybrid Villainess story, incorporating Isekai and Time Loop elements in a way that isn't *unique*, but is generally less common than other tropes. The main character, isekai'ed as the villain, has effectively lived in a prisoner of her own body for the last 5 time loops, watching as she lived through each 'capture target route' of the otome game she's wound up in. It's a concept that leaves the door open for a few genuinely neat set pieces and character traits for the FL, with a premise that promises certain expected moments for the reader to enjoy.

The Execution: -2/10 (Yes I can give negative numbers, it's my rating)
Something about this concept is *extremely* hard for mangaka for some reason, as most of them fuck it up. The 6th Loop is no exception, as it manages to either squander or disregard effectively every interesting door that its concept opened. The Villainess is in a time-loop and should therefore have excellent future knowledge to outmaneuver her problems? The loop only covered HIGH school, and for some reason the actual story is set in MIDDLE school, so she has no idea what's coming (also? never explained. At least not as of ch29/36). At least she's got time looping experience to have an excellent grasp of everyone's character? She knows literally as much as every other 'has played the game and was obsessed with it' OI protagonist that has ever existed. At *least* she got to be the villain for 5 loops, even if she didn't want to be, and should be more than capable of flipping that switch when needed? She's apparently learned NOTHING over the last few loops, or is otherwise as dumb as a bag of rocks, because this happens exactly once.

The story attempts to bait interest in a few elements by having them be 'outliers' that were not in the previous loops, but because the protagonist never lived through the time the plot takes place in, it doesn't *mean* anything because she's just as blindsided by basically everything else. The audience is left frustrated as the FL makes multiple decisions that she *should* know better than, including ignoring obviously suspicious people or remaining extremely passive in the face of obvious attacks. The concept of 'has looped through time 6 times' could have easily been replaced by 'was isekai'ed into a game she only kind of was aware of', and the manga wouldn't lose anything.

It does *nothing* with its most unique concept, and the story suffers for it.

The story that the plot *claims* to be telling doesn't match the actions the characters in the story *actually take*, and it leaves the reader with a disconnect that never quite goes away.

Characters: 3/10
There is very little in the way of enjoyable characters. The Female Lead, Maria, is not particularly noteworthy as a character (and is instead very much a generic, if not reluctant, villainess isekai protagonist who is *constantly* either an idiot or incompetent, as she constantly makes resolutions to herself that are immediately disregarded unironically. She initially resolves to stay far, far away from the capture targets so as to not die or get exiled in her ending, a resolution that lasts exactly less than one chapter before she accidentally sits down directly next to one of them in the welcoming address, and is promptly so distracted by this that she fails to notice that a second one of the capture targets is giving a speech as new student council president. So when it comes time for her to join a school club, you'll never guess where she winds up. Additionally, even before reaching school, she's already friends with two of the five.

Her competence does not go up from here.

Immediately after resolving that her life is her own and she won't let herself be manipulated into doing things she doesn't want to do, she winds up manipulated into a competition by another girl about what is effectively a beauty pageant. This subplot/arc/storyline lasts approximately an entire book of her *not wanting to win*, but catastrophizing about how just quitting or throwing the competition will be even worse for her (without evidence), being framed for destroying another competitor's dress by being the first person to find it... and then only FINALLY loses her patience with the process literally minutes before the event is set to begin, effectively throws the entire thing, verbally *throws hands* at the entire situation... and then everyone moves on. There is no reason why she couldn't have quit at any time before this, and this entire arc ends somewhat pointlessly as Maria effectively ignores MORE extremely sus and duplicitous behavior from another student who has ALREADY been extremely sus and two-faced in the past.

The Heroine is Lady Not Appearing In This Manga, as she doesn't join the school until highschool, which is again not when the story is set. As the only other character (implied) that would have been front and center in all 5 of Maria's past loops, the two could have had a very interesting relationship based on the observations that Maria would have had from her previous evil loops, but no. She's just not here at all.

All of the capture targets are boring. One's only defining characteristic is a fear of the dark. One is the prince who lacks any defining character traits at all. One is her old tutor, who is both 8 years older than her and also has some weeeeeiiiiiiird vibes about possibly liking a 14 year old, one is an introvert who has become less introverted off-screen and might be showing the most bare-bones hints of being a yandere but it's basically impossible to tell, and the last one is the Prince's escort who's only interesting character trait is that he hates Maria. This was almost interesting, but given that the hate stems from 'the character hates all nobles (except the prince) for being duplicitous back-stabbing jerks, and when he meets a young Maria he... doesn't believe that she's actually nice and therefore hates her more because she's... extra fake(?)', ...the entire thing is exactly as brain-meltingly stupid as it sounds, and no further explanation is given. Still, he's the only person in this entire storyline that Maria seems to *actively have a strong opinion about* somehow, which is in itself worthy of note.

The only good characters are Maria's friends. Keith is the son of the family's gardener who seemingly did not exist in her previous loops (never explained) and Maria's best friend. He's genuinely delightful every time he makes it on screen, which is less frequent than he really should be for the concept. Elle and Primera are the first (and low-key only) friends she's made at school as well as her only female friends. They're nice in that they're a breath of intelligent air in an otherwise morass of stupidfog, although they also suffer somewhat from the 'no defining character traits' disease that seems to be endemic in this story.

There's a few assorted female one-off 'enemies', as well as a minor side character or two, but overall nobody is worth talking about with the exception of Sara, the extremely sus girl from earlier. Sara's entire vibe can be summed up as 'the sound of Red Flags flapping in the breeze', and while she seems to be somewhat intelligent about it, it's hard to care after the audience gets to see at least two of her plans fail while she's being super obviously suspect, and it getting no pushback from Maria. It's tempting to say she's a smart villainess, but it's more likely that Mariabelle is simply too dumb by comparison.

Art: 6/10
It's... fine? It's not great. Nothing about it is spectacular or stand-out or even particularly noteworthy in a positive sense. The artist seems to have some trouble with non-typical gender expressions, and two examples are stand-out. The first is a girl that the story describes as particularly 'handsome' in the narration, but is effectively just drawn to be *extremely* masculine presenting to the point that it without the narrative text it would be significantly more logical to believe her to be a crossdressing boy, and a boy is effeminate enough that when a character ties his hair up for two panels, he's prettier than most of the girls in this setting. These would be fine if they were intentional, but the narration clearly shows that they are not.

Enjoyment: 2/10
The story establishes a few hanging plot threads early in the story that may or may not be resolved by the end, but to get there you have to suffer through Maria and Co making a series of increasingly stupid decisions presented as being not only reasonable, but something entirely different via the narration (such as her claim of not letting anyone control her again before *immediately* letting someone control her again later that same chapter completely unironically). None of the early-story mysteries (why does Keith exist? What's up with her unique and special non-standard magic that is *literally never used*? Who's going to be the ML (because man there are zero stand-out candidates), and such are remotely interesting enough to justify having to suffer through the mess of a plot that cannot seem to get its concepts consistent.

The X-Factor: ~/10
There isn't one. None of the ideas in this story are particularly unique or interesting, and the story isn't written well-enough to have it stand out either.

Overall: 4/10
Good for a read if you enjoy shredding a plot to pieces as you go to roast it. Otherwise, there are better stories out there... although maybe not with this exact time loop idea. Again, something about this one concept, mangaka *stink* at.

Mark
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