Review of Monster

"Monster" may not be the most popular of anime - unlike say, "Death Note" or "Full Metal Alchemist", there are still plenty of people who haven't seen it - but it has attained this almost mythical status as one of the anime that's come closest to being flawless. Could this really be the Holy Grail of anime? Now, being the opinionated jackass that I am, I've never shied away from obnoxiously airing my unwanted views loudly and with extreme prejudice, however controversial they may be, and a fair share of popular anime ("FLCL", "Elfen Lied" and "Clannad" to name a few) have felt the wrathof my uncompromising rants over the years... but if you're looking for one of those ludicrously rare negative opinions on *this* anime, then I'm afraid to say that you won't be getting it from me. This is because, like virtually everyone else - the harshest of critics included - I found myself reduced to fanboyish gushing upon finishing "Monster", having been totally stupefied by the mind-blowing awesomeness of this magnificent series (see what I mean about the gushing? :P). Just like its main villain, "Monster" comes off as almost glowing with the aura of perfection - without a doubt, this epic is one of the all time greats.

"Monster" tells the tale of a Japanese doctor named Kenzou Tenma, who starts off in the series as the young and talented star neurosurgeon at a highly reputable hospital in Germany. His working environment is a highly political one, and one day he has to make a decision between saving a boy with a bullet wound in the head, and a major benefactor of the hospital who was rushed there in an emergency just as Dr. Tenma was about to operate on the boy. Little did Dr. Tenma know that the choice he make would have such extraordinary consequences. Soon, mysterious deaths starts to occur around Dr. Tenma... and the prime suspect is him. Having found out that these events aren't completely unrelated to him, he starts tracking an elusive figure who he believes to be the one responsible for the deaths. His investigations take him across Europe, uncovering countless mysteries and dark secrets along the way, all the while being pursued by the police. The strength of the story and the plot development of this gripping series are nothing short of phenomenal, and easily surpasses any anime that I've watched previously. Usually, something this long would get dull and/or repetitive, but "Monster" not only successfully avoids this, it miraculously manages to pace itself far better than most 26 episode series. I found myself on the edge of my seat with eyes glued to the screen for the duration of its 74 episodes. There are a huge number of plot twists - every episode seems to end with on a cliff-hanger, and it's fiendishly difficult to find good places to stop watching and do overrated sensible activities such as eat. And maybe sleep.

First and foremost, "Monster" is a suspenseful, psychological thriller... and it more than delivers as one with its overwhelmingly powerful and dark atmosphere. What struck me immediately while watching it is its great use of sound. If I just listen to the "Monster" soundtrack by itself, I'd most likely find it to be rather unfulfilling. However, within the context of the anime it's nothing short of amazing. And I'm not just talking about the music alone - the use of sound is not limited to the background music, and "Monster" successfully demonstrates this by putting to good use an astonishingly wide array of ambient sounds. A lot of it can be more accurately described as noise rather than music, and the unsettling atmosphere created through the skillful use of these noises, combined with sheer ruthlessness with which "Monster" frequently kills off its characters, ended up inducing a kind of paranoia in me while I was watching it. I found myself jumping at every background sound and every change in the tone of the music, and nervously chewing my nails whenever a character is left alone, wondering whether that character would be the next one to meet an unfortunate end.

The artwork also suits the gloomy atmosphere. Instead of the typical, huge-eyed kawai type character designs that you often find in anime, "Monster" strives for a much more realistic visual style. A lot of people have said they don't like it, but I personally love it. With the exception of some slightly off walking motions, the animation is really good. Just like with the sound, small details are manipulated with a deft touch that can nevertheless bring about significant tonal changes. A great example is the facial features of one of the characters Eva Heinemann, who comes across in the beginning as one of the bitchiest characters you're ever likely to meet. But with the simple unarching of her eyebrows, Eva's face can suddenly soften and the usual trace of bitchiness across her features just melts away. These kind of subtle touches and great attention to detail are used to brilliant effect within the anime. What's more, everything about "Monster" clicks together, and preciously little screen time is wasted. Even the ending credits is utilised to tell an intensely creepy, macabre fairy tale. It isn't just any fairy tale - as the story progress, you'll come to realise that it's a fairy tale that not only plays a significant role in the plot, it also reflects some of the underlying themes that underpins the main story. If you skip all the ending credits, you'll be missing out on some details that, though not quite crucial, certainly serve their purpose in making the series a richer viewing experience.

"Monster" isn't all about the presentation and the production values though - it's a series backed up by solid substance and it provides more than enough material to mentally chew on after watching an episode. It easily lives up to its its title. The monstrosities that can be witnessed (a lot of which are committed on innocent children) in the anime come across as both shocking and horrifying. Thinking back on it, it's kind of ironic that what initially kicked off the chain of events in the series is a choice made on the moral grounds that doctors should treat all lives as equals. In fact, there are many strong underlying moral themes in "Monster", and it thoughtfully explores many questions such as whether someone deserves forgiveness, however much atrocity he has committed. Parallels can be drawn between the paths taken by "Trigun" and "Monster", but the latter presents a far more convincing case than the former. In both cases I don't fully agree with the answers provided, but in "Trigun" I find myself siding with the villain as the hero (Vash) came off as more stupidly naive than anything else, whereas in "Monster", the hero (Dr. Tenma) cuts a much more mature, saintly figure. One of the things that makes Dr. Tenma's case more convincing is that, even though he might seem too much of a perfect goody goody, he doesn't start off this way - he is initially introduced as a snivelling coward, a pawn in the political games played at his hospital. His moral stance evolves along with the strength of his character as he perseveres through the harsh trials that's thrown at him in the duration of the series, and this makes it difficult argue against the views he eventually settles on and the decisions he eventually makes because you know that he did not reach them lightly.

A lot of intelligent anime can often come off as a little cold and aloof, just look at "Boogiepop Phantom", an anime that is similar to "Monster" insofar as it's also very dark, very clever and has a lot of substance to go with its ostentatious presentation. But unlike these kind of anime, "Monster" is by no means souless, and this is because the characters. Dr. Tenma may be a fantastic character, but he is actually made to look rather ordinary by the the rest of a very stella cast. It should be noted that the size of the cast of "Monster" is rather large. Now in most cases, large casts tends to spell trouble, and any anime that attempts to cram in a lot of characters usually end up with an extremely dull selection that are underdeveloped and forgettable. But "Monster" is not just any anime. Despite having so many characters, it's hard to recall a single bad character in the entire series, and in fact most of them are nothing short of fascinating. Who can forget the likes of that detective with an alcohol problem, or the constantly smiling Wolfgang Grimmer? A lot of these characters only appear for a short while, but it's more than enough for them to make a big impact. As for the re-occurring ones, virtually all of them undergo superb character development. One such character is Eva Heinemann. She stands out for having one of the most dynamically developed personalities, and also for changing from a character I loathed to a character I came to like very much. The main villain too, is one of the most charismatic, sophisticated and terrifying villain ever to grace the medium. Instead of scaring people outright with brute force, he induces a psychological fear by getting into people's minds, psyching out their darkest secrets and manipulating them using soft power. And this makes him far more compelling than your average mass produced brawn-over-brains "final boss" style villain, who usually comes fully equipped with a single digit IQ, some basic, primitive cunning, and the ability to manically laugh for an hour or so.

Despite the quirky and distinctive traits that a lot of the characters have (for instance Runge with his constantly typing hands), most of them come across as genuine, real people caught up in crazy situations. Virtually all the characters are much more than what meets the eye, and many of them are burdened by dark pasts that they are trying to put behind them. The characters are fleshed out through their backstories and, as the plot often takes turns to unfold through their different perspectives, it's really easy to connect to and sympathise with these troubled characters. "Monster" is a series with plenty of heart and warmth because it makes you care about its characters for all their very human flaws: it makes you smile with them through the good times, tighten up nervously when they are in danger, and it makes you want to weep in frustration and anguish when they are killed off, often just as you're growing fond of them.

Admittedly, I'm not too keen on the ending of the series, and I still have a few lingering questions about certain plot points, especially ones concerning the villain, and the almost supernatural way he seems to be able to always get what he wants. But aside from these very minor complaints, I honestly can't find any aspect of "Monster" that isn't outstanding. With its masterfully told plot, unforgettable characters, paranoia-inducing dark atmosphere and profound depth, "Monster" is a colossal masterpiece in *every* sense of the word.