Ryuu to Yuusha to Haitatsunin · review
This is a must read for those who want good fantasy and good world building. I say those two things separately, because the manga doesn’t have the typical “fantasy world building” with deep lore and political intrigue; unless by political intrigue you mean an outrageously funny government workplace comedy like Parks and Recreation. The world building is immaculate in weaving together all the elements of sword and sorcery, actually considering how world shaking fantasy magic would affect the medieval world. This is what should be meant by a world “feeling alive”; the sense that the world would actually function, with all of our already complexhistorical human systems meshing perfectly with all the most imaginative inventions of fantasy.
The story really has it all. Its characters are beyond endearing, with a large cast all simultaneously navigating the chaos of fantasy society. The dedicated reader should pay attention to EVERY background character, because so many of them will continue to appear in gags and evolving tangential story lines in numerous easter eggs.
And despite the story being mostly a slice of life workplace comedy, there is an overarching plot, heavily focused on later in the manga for its ending. And the plot is excellent; not for being dramatic or having shocking twists, but for being so tightly woven as a natural consequence of the premise itself. The real world of sword and sorcery is not one that can remain stagnant for too long, and the story is that of the evolution of this society, with every step of the way carefully constructed. This really shows what can be done with a fully realized world. As the world evolves, every character will have to adapt to the times. Some will rise against the tide, with the power to change the world. Others will meet them, and conflict will naturally arise. And all of this from the perspective of a charming little ol’ courier elf girl? Can it get better than this?
There is no guarantee that any comedy will be a hit with every single person, but this manga might be pretty close. Gags are highlighted and elevated by the sheer novelty and ingenuity behind every wacky concept in this world. It’s almost the essential form of comedy where the manga so consistently catches you off guard with creativity and whimsy, and then it pulls you back in with the punchline that just fits the concept, the setup, and the setting so perfectly together. The way the world handles the existence of an “experience point system” alone is so brilliant that it wouldn’t surprise me if it spawned a hundred slop isekai anime riding on its novelty as a gimmick.
And that’s just the recommendation for a general audience. For those who have even an inkling of interest in medieval history, this must be a nerd’s bible. Gregorious Yamada has a true love for the medieval, and it really shows. He went and crafted something magical in this very real world.
The Dragon, the Hero, and the Courier
9 out of 10