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Isekai Quartet

Review of Isekai Quartet

9/10
Recommended
June 25, 2019
3 min read
106 reactions

FINALLY, ABOUT TIME. The outlandish short comedy that is this show. The biggest crossover not just in anime history, but one that can be said to level off with Avengers: Infinity War (no pun intended): Isekai Quartet, the short crossover that we knew we wanted for a long time, and thanks to the people over at Kadokawa green-lighting this high-profile series, we finally can rest at ease. For the Average Joe, Isekai Quartet combines the Isekai universe's 4 most beloved series: Re:Zero, Youjo Senki (Saga of Tanya the Evil), KonoSuba and Overlord. And combine them Kadokawa did, for a collaboration that's unthinkable at this high scale, difficult(or even manageable) to pull off, but what came out of it was a short so highly revered, and in time present and future.

With that said, if you haven't watched any of the 4 anime series, the references that the cast of characters in the series make will be questionable.

So, for the setting of the show, I find it iffy that the overall setting would be in a school, but it works. The part that gets us totally is the pressing of the Isekai "RED" button, which summons most (if not all) of the characters in the 4 series into an alternate timeline, one devoid of the bells and whistles of the respective shows they came from. So, with that said, with Roswaal as homeroom teacher, let the misunderstandings, running jokes and gags ensue as the characters attempt to reason with one another about trivial issues. Even better, being a short 12-min series helps us digest the setting, and gets us adapted into the occurring scenarios filled with wholesome goodness.

Being a studio that primarily works on Chibi-esque features of series that sorta needed a wide presence, it's no surprise that Studio PuYUKAI is given the responsibility to anchor this series, and anchor they did with the simple cartoonish aesthetics. And I have to say that for a high-profile series, it certainly garnered a lot of attention that creates affection and tension for the cast of characters and their countless interactions in the alternate world.

And the music. I consider it to be the Holy Grail of the series. Even more unimaginable is the collab for the leads and supports from all 4 series. So the OP features a cool and wacky song by the "protagonists" Subaru, Tanya, Ainz Goal Oown and Kazuma, while the 8-bit designed electronic-sounding great ED is done by Emilia, Tanya, Albedo and Aqua. Both songs are equally fantastic that holds equal weight on their own. Add in the background, and this series is musically custom-composed plentifully.

Overall, what a great and fantastic showing, and a short to boot! And we have the people over at Kadokawa to thank for, because we may never be sure what triggered this movement of sorts, but at the end of the day, it's the company listening to the fans, that matters. So appreciate Kadokawa for this venture project. And this is officially SOTS in a lackluster season.

Now all that awaits is a (confirmed) Season 2 showing.

Mark
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