Studio · Animation house
E&G Films
イージーフィルム
20 animated productions (plus 2 producer credits) — working primarily in adventure, comedy, and fantasy, active since 1989.
- Studio productions
- 20
- Producer credits
- 2
- Avg score
- 6.4
- Founded
- Est. 1988
- Favorites
- 12
01Identity
What we know
Aggregated from the catalogue. Nothing in this section is curated copy.
Genre fingerprint
- Adventure 10 titles · 45%
- Comedy 7 titles · 32%
- Fantasy 7 titles · 32%
- Sci-Fi 6 titles · 27%
- Action 5 titles · 23%
- Romance 3 titles · 14%
At a glance
- Active years
- 1989–2002
- Founded
- 1988
- Avg score
- 6.4
- Output
- 0.5 studio titles/yr
- Dominant role
- Animation studio
- Catalogue
- 22 titles
E&G Films, sometimes incorrectly addressed as Easy Film, was originally established as E&G World in 1971 and became incorporated in July, 1988 when it was merged with another small animation production studio, Lucky More, and thereafter renamed into E&G Films. Its headquarters was located in Musashino, Tokyo at that time and Hagiwara Kouji was the studio's representative director. However, the media mix projects they worked on and developed together with Kadokawa Shoten and King Records, were of low budget and not profitable. The studio was forced to outsource much of its works to foreign subcontracting studios to get them done, in turn often struggling with schedules. The low point was reached with the production of the Slayers spin-off Lost Universe, which was not ready yet when it was due to air, and missing content had to be replaced by apology screens. Furthermore the fourth episode Yashigani Hofuru (ヤシガニ屠る), lit. feasting on Coconut crab, which aired on April 24, 1998, was initially worked on by a South Korean animation company, San Ho Studio. They only were given basic manuals of the characters. The result was so dismal in quality that it was later reworked for the LaserDisc releases. An anime with extremely poor animation came to be called a Yashigani thereafter. This incident led to problems in the management and lost trust from TV stations. The studio had to concentrate on subcontracting work for other productions and to reschedule their own productions on the upcoming AT-X and small anime only satellite channel CS. All measures which did not get rid of the studio's financial problems by that time though. Its last original project came to be Muteki Ou Tri-Zenon, a series greatly overlooked by the audience. Following several other low budget adaptations, the studio had finally to shut down because of bankruptcy. Thus finally ending a half-decade long period of low budget and quality lacking shows, which led to the studio's demise. (Source: AniDB)
02Catalogue
The body of work
22 titles across 1 chronological window. Filter by role or hold for the prestige tier.
1989–2002
See all22 titles · Avg6.4
03People
Top collaborators
Ranked by credit count across this company's catalogue, weighted toward senior positions (Director · Series Composition · Character Design · Music).
- Takashi Watanabe Director 7 credits in this catalogue +2 roles
- Yukio Okazaki Director 7 credits in this catalogue +3 roles
- Hidekazu Satou Director 6 credits in this catalogue +2 roles
- Sumio Watanabe Director 6 credits in this catalogue +6 roles
The long bench
- Eitou Nakahara Art Director 10×
- Makoto Sokuza Episode Director 9×
- Kazuto Imanishi Planning 7×
- Motoki Yagi Key Animation 7×
- Yuuji Yanase Animation Director 6×
- Hiroto Katou Animation Director 6×
- Jun Taguma Editing 6×
- Naomi Miyata Animation Director 6×
- Ichizou Kobayashi Animation Director 6×
- Megumi Hayashibara Theme Song Performance 5×
- Noriko Kobayashi Producer 5×
- Jouji Kikuchi Animation Director 5×
04Where they live
External links
Hostnames as they appear in our database. Recognized platforms get a label; unknown hosts show the bare hostname.
No public channels on file for this company.
















